Countdown was my reading of choice as a child and it quite possibily influenced me more than any other reading matter before or since. I think I picked up my first copy simply because it had Jon Pertwee on the front – or rather an artist's rendition of the man in his most famous role. Countdown published cartoon adventures based on TV shows, mostly science fiction. Some were original, like Dr Who; most were reprinted Gerry Anderson adventures from TV21, whose existence overlapped with my lifespan but entirely passed me by. Either way, with the unlimited effects budget of pictures they easily surpassed their TV counterparts for sheer excitement.
And there was the titular comic strip, "Countdown" itself. This was brand new, unique to the comic, and even I could tell it was edgier and darker than the ever-optimistic, technophile Anderson strips. All the spaceships were modelled on designs taken from 2001 (the Countdown itself was essentially the Discovery) which automatically gave it an ’arder feel and the artist, John Burns, used much more modern comic techniques (images bursting out of their frames, use of light and shadow to hide or reveal) than the hand-drawn photoframes of the others. The Countdown is a deep space exploration ship which returns to Earth after many years to find the planet in the grip of an evil dictatorship, with resistance led by the lunar colony. Our heroes are helped by the fact that on their voyage they picked up a friendly alien (called Bill) who helps them out with his advanced technology, not least a teleport and nifty little devices called whisperwheels which enable telepathic communication between wearers.
Thus, seven years before Blake's 7, we have the crew of an alien-enhanced starship fighting an evil dictatorship. Hmm.
A few years ago I started gathering old editions of Countdown off eBay. I now even have the very first issue. Wow. The first "Countdown" strip has hardly any dialogue – just a series of pictures that take the reader through the dark, cold corridors of the ship, closing in on the crew in suspended animation. Seven years before Blake's 7 and eight years before Alien.
I was also struck by the way the evil dictator strongly resembled the late Robin Cook, but I'm prepared to put it down to coincidence.
As well as all the above, Countdown also ran factual stuff full of a sense of wonder: a lot on the then current Apollo landings; what I would now call an unhealthy obsession with UFOs and matters related; full page, full colour photos of giant hydroelectric turbines, nuclear reactors, anything big and techie. It made me what I am.
Countdown metamorphosed into TV Action, expanding its remit beyond science fiction to TV adventures generally. It wasn't as good and it folded in summer 1973.
It was in TV Action that I first learnt the name of the Time Lords' home world – Gallifrey! And therein lies a puzzle that bothered me for years. It is part of Dr Who lore – of which, okay, I know a little – that Gallifrey was first named in the Pertwee-era adventure The Time Warrior, broadcast December 73-January 74. But hang on, I hear you cry, you said TV Action folded in summer 73? Well, quite.
But now the puzzle is solved, thanks to getting The Time Warrior on DVD for Christmas. (DVD! A marvellous invention! Was there really a time when it took four whole weeks to watch a four-episode adventure? When you simply had to remember what had happened up to a month previously? When if parents or fate decreed you would be out at Saturday teatime, you missed the episode with no hope of ever seeing it again? Answer to all of the above: yes.)
The Time Warrior was indeed first broadcast in December 73 – but it was filmed in May of that year, and producer Barry Letts had a guest slot in TV Action to answer readers' questions about the show. And that was when Gallifrey was first named publicly. A world exclusive, breaking news. Nothing would ever be the same again. I had no idea.
Pay attention, children. You never know when the world will change.
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